Middle-aged, sexually repressed Sylvia Stickles is the subject of this John Water's film, set in North Baltimore. She refuses to have sex with her husband, Vaughn Stickles, and keeps her overly-endowed daughter, Caprice, locked in her room, while she serves home detention for moral depravity charges. Sylvia, together with her mother Big Ethel, lead a group calling themselves "neuters" that promotes decency on Harford Road. When Sylvia is accidentally hit on the head by a lawnmower hanging out of a passing pick-up truck, however, her sexual behavior is changed completely from prude to prostitute. She meets the sex addicted sexual healer Ray Ray Perkins, becoming his twelfth apostle of sex in a journey of pleasure and orgasm.

Nurse "Coffy" Coffin leads a double life. During the day, she's a nurse at work. At night, she's an avenging angel on a personal vendetta, tracking down the drug pushers who hooked her younger sister on drugs. Along the way, she meets a honest police detective who also is leading a double life.

While young heiress Nancy Archer is driving home from yelling at her husband who is with another woman at a motel, she is encountered by aliens that zap her with some kind of laser. As a result, Nancy finds herself growing to giant size everytime she gets angry. Her incredible anger makes her 50 feet tall and she's now a walking giant searching in a terrified town for her husband who is with his other woman.

When Nick Davis leaves prison after one year in solitaire, he is hired to operate forklift in a warehouse in the harbor owned by the Japanese Yakuza patriarch Isshin Tendo. The place is assaulted by the Italian Mafia leaded by Dino Campanela and Nick rescues and saves the life of Shuji Sawamoto, who is the representative of Yakuza interests in America. Shuji hires Nick to work for Yakuza and becomes his godfather in the family after his oath to join Yakuza. However, Nick is a lonely FBI undercover agent assigned to penetrate in the criminal organization. When the FBI discovers that Campanela is organizing a massive attack to destroy the Yakuza, Nick's boss Littman calls off the operation to leave the dirty work to the Italian Mafia. But the connection of Nick with Shuji and his goddaughter Yuko forces him to help his Japanese family.

Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser. Perhaps some singing will help.

Used car salesman Rudy Russo (Kurt Russell) needs money to run for State Senate, so he approaches his boss Luke (Jack Warden). Luke agrees to front him the $10,000 he needs, but then encounters an "accident" orchestrated by his brother Roy also played by Warden, who runs the car lot across the street. Roy is hoping to claim title to his brother's property because Roy's paying off the mayor to put the new interstate through the area. After Luke disappears, it's all out war between the competing car shops, and no nasty trick is off limits as Rudy and his gang fight to keep Roy from taking Luke's property. Then Luke's daughter shows up.

The year is 1956. American philosophy student Michael is traveling en route to India when he decides to stop at Links of Burningbush in Scotland for one last round of golf before giving up the game for good.

A pair of rich daddy's girls discover a bum and take him home because he is starving. In return, the bum teaches them about the real world and helps them start a rock-and-roll band. Meanwhile, the rich family has problems: the husband likes S&M with women other than his wife, while the wife likes to watch a sexy home shopping TV channel. The comedy has a happy ending, of course, with the girls putting on a rock-and-roll concert at the beach. The movie has lots of girls running around in bikinis and French maid outfits.

After thirty years in prison, ex-con Ronnie (Dennis Hopper) recruits his grandson to exact revenge on Darryl (Fred Ward), the cop who put him behind bars. Standing in their way is Ronnie's son, whom Darryl raised.

A sprawling look at the class system in the United States, ranging from WASP elegance to trailer-park desperation, with lots of other stuff in between.

OVER THE HILLS AND FAR AWAY chronicles the journey of the Isaacson family as they travel through Mongolia in search of a mysterious shaman who they believe can heal their autistic son. This film delves into the strange world of autism, horses, shamanism, and Mongolia while telling the story of a family that will go to the end of the earth to find a way into their son's life.

Sniper Thomas Beckett (Tom Berenger) is hired by NSA officials, William Avery (Denis Arndt) and Richard Addis (William Duffy) to perform a covert operation to eliminate a suspected terrorist. The terrorist turns out to be a friend of Beckett's and the real purpose of the mission turns out to be something other than what Beckett was told.

Horror film finds a killer alien, who is just misunderstood, devouring people. A school psychologist investigates the death of a student's mother and finds the boy believes he is the son of the being. His earthling father is also a doctor who has the boy in his care and holds that it is all in the boy's imagination.

Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the bands tour and learns about life as an orchestra wife, weathering the catty attacks of the other band wives.

Private investigator Bradford Galt has moved to New York from San Fransisco after serving a jail term on account of his lawyer partner Tony Jardine. When he finds someone is tailing - and possibly trying to kill him, Galt believes Jardine is behind it. As he finds there is rather more to it, he is increasingly glad to have his attractive new secretary Kathleen around, for several reason.

In mid-1970s Savannah, two bright but rebellious boys, Francis Doyle and Tim Sullivan, fight boredom, hormones and harsh teachers as they struggle to find something meaningful beyond the walls of their parish school. Francis, an exceptional artist whose imaginative forays into a fictional universe of good and evil fill his notebooks with comic-book imagery, creates a netherworld of superhero alter egos for the two boys. When the ultra-strict Sister Assumpta seizes their artwork one day, the boys embark upon an obsessed trail of revenge that ultimately changes their lives.

Two UCLA coeds have engine trouble in a small Southern town. When they spurn the local sheriff's advances he arranges for them to be taken to the women's prison on trivial charges (the judge is a cousin), where they must endure atrocities at the hands of the administrators of the prison and the prison guards.

The hardest part about moving on is saying goodbye.

Irwin "Fletch" Fletcher, Los Angeles journalist, really lives for his profession. As Jane Doe, he publishes articles that have caused several heads to roll in the past. Now, Fletch is at it again: In disguise as a bum, he lives at the beach, researching drugs and their dealing. One day, Fletch is addressed by Alan Stanwyk, a rich man, who asks him, the bum, a favour. For the sum of $50,000, Fletch should kill poor cancer-ridden Mr. Stanwyk with a gun, so that his wife will get the insurance money. What the guy didn't think of was Fletch's real profession. Returning into normal life, Fletch instantly takes up research not only to find out that Mr. Stanwyk is healthy as life itself but he also runs into certain connections between drug dealing at the beach, Alan Stanwyk, his private jet, the police and a very expensive piece of Land in Utah.

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. This Academy Award-winning documentary, augmented by archival footage, gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.